The bits that went temporarily missing from UPN screens. Janeway questions Seven's research methods into the subject of romance, and the Doctor and Paris discuss the various ways in which they have a vested interest in Seven's first date. |
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SEASON ONE CUTTING ROOM FLOOR |
Someone To Watch Over MeMissing Scenes This episode is one of a number in season five which were filmed for a broadcast length of approximately 44 minutes, but which were transmitted in edited form by UPN in order to slice two minutes off the running time. The transcripts below are of the scenes and scene fragments that are missing from that UPN broadcast, based on a comparison between the first airing on UPN and the full version of the episode. Please note that an entirely different set of cuts may have been made on subsequent repeats of the episode by UPN, and that syndication reruns seem to be showing the episodes intact. Dialogue shown in italic type is only included in the full version of the episode. Dialogue shown in normal type is in both versions. Scene start timings are approximate, rounded up or down to the nearest minute, and are based on the UK PAL broadcast format (25 frames per second). Janeway's Ready Room. 4 minutes.
Shortly after the scene in the Mess Hall where B'Elanna threatens Seven with violence for eavesdropping, taking notes, and generally invading her and Tom's privacy, Janeway manages to fit in a brief discussion on the subject with Seven while getting ready for an away mission that will take her off ship for a couple of days.
Sickbay. 20 minutes. With the Doctor still stunned and a little gleeful at the news that Seven has selected the subject of her first date, and invited him out, Tom Paris shows up for his shift in Sickbay.
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All text and original artwork is copyright © Jules Langley 1997-2024, based on images, concepts and characters from the television series Star Trek: Voyager. Star Trek and all of its associated trademarks are TM, ® and © Paramount Pictures. It is not the intention of this page to attempt to infringe or supersede those copyrights in any way. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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